 |
Steps 1 -3 This series of screenshots illustrates the steps outlined in the story describing how to make 3-D images. The images used here are Gorjian and his fiancé's Hawaiian vacation photos.
(Click on images for full-size view.)
Related links:
+ Download the PDF version of this feature
+ Sources for 3-D glasses
|
| |
 |
| Step
4 |
|
| |
 |
| Step
5 |
| |
|
| Step
6 |
| |
 |
| Step
7 |
| |
 |
| Step
8 |
| |
 |
| This screenshot shows the final product. If you slide on your red- and blue-tinted glasses, you'll see Gorjian and his fiancé pop out of the picture. |
Since settling in on the red planet, the Mars Exploration Rovers Spirit and Opportunity
have sent back a number of 3-D postcards to countless fans outfitted in red-
and blue-tinted spectacles. To some, the realistic pictures of the rocky martian
terrain may seem magical, but the concept behind the illusion is in fact quite
simple.
"Basically, 3-D pictures trick your brain into doing what it does all
the time in the real world," says Zareh Gorjian, a graphic artist at NASA's
Jet Propulsion Laboratory who makes 3-D pictures and animations of Mars for
a living, both the black-and-white kind and the more advanced color versions.
So simple is the trick that, with a little effort, anybody with a camera,
a computer equipped with photo-editing software, and a pair of tinted glasses
can make their own 3-D pictures of Mars, family members, pets or anything else
worth placing in front of a lens.
Gorjian, who has been toying with the technique for 10 years, transforms all
sorts of pictures into 3-D feasts for the eyes, including his latest vacation
photos. "It's just fun," he said.
The key to 3-D imaging lies in simulating a left and right eye. For the Mars
Exploration Rovers, this is accomplished with the aid of a left and right camera
eye. Images from the rovers' stereo camera lenses (either the hazard-avoidance
cameras, the navigation cameras or the panoramic cameras) are tinted in red
and blue, then merged into one blurred picture, which pops off the page when
viewed through a pair of red- and blue-tinted glasses.
"Your brain thinks it is seeing two separate left and right images and
so does what it always does -- combines them into one picture," says
Gorjian.
These basic 3-D photos are called anaglyphs and work best when viewed in black-and-white.
Color anaglyphs are trickier because red and blue objects only appear to one
eye. "You give up full color when you use the red and blue glasses," says
Gorjian.
Instead, he and his colleagues at JPL's Multimission Image Processing Laboratory
create 3-D color photos using two sophisticated techniques: polarization and
infrared-transmission. In polarization, the light from left and right eye images
is polarized, or made to travel in opposing, perpendicular directions. In infrared-transmission,
left and right eye images are flickered back and forth on a special screen
faster than an eye can blink. Both strategies require specialized glasses for
viewing.
But black-and-white 3-D images do not require fancy tools or equipment and
can be snapped and clicked into being by following these directions recommended by Gorjian:
1) Start out by picking a subject. People are a good place to begin because
they tend to pop out in 3-D photos. Place the subject in a setting with a
lot of angles and depth (not in front of a flat wall), and about 10 to 15
feet from the camera. Hold the camera steady by securing your elbows in your
chest and snap a picture. Make sure your subject stays very still, then step
just a tiny bit to the right, about the distance between your eyes or less,
and take the same picture. When you slide over for the second shot, you -- and
most importantly your camera -- should move in a parallel line.
Note: If Mars is your subject, the pictures have already been taken for you.
Scan through the raw images on the JPL web site marsrovers.jpl.nasa.gov and
pick out left and right eye images for your favorite photo (only images taken
by the rovers' navigation cameras, hazard-avoidance cameras and panoramic cameras
come in pairs). The stereo images will look identical, but you can tell if
an individual image is from the left or right camera eye by clicking on it
and looking at the file name displayed in the web address bar. Left camera
eye image file names will contain the letter "L" four characters
in from the end, and right eye image file names will similarly carry an "R." Two
raw image examples can be found at
http://marsrovers.jpl.nasa.gov/gallery/all /2/n/043/2N130199337EFF0700P1817R0M1.HTML,
and
http://marsrovers.jpl.nasa.gov/gallery/all/ 2/n/043/2N130199337EFF0700P1817L0M1.HTML .
2) The next step involves transferring the images into photo-editing software.
Any program will work as long it allows for red, blue and green color channels
to be manipulated independently. The following instructions will refer to Adobe
Photoshop. If your pictures are digital, just open them up in the software.
If your pictures are hardcopies, transfer them to a computer using a scanner,
or drop them off at a photo-developing store and ask for digital files (any
file type will work).
3) Once the left and right eye pictures are open, convert them both to grayscale
by clicking on the 'Image' menu bar and selecting 'mode' then 'grayscale'.
Next, assign the left eye image red, green and blue channels by going back
to the 'Image' menu bar and selecting 'mode' then 'RGB' (the image will still
appear gray). Do not repeat this step for the right eye image.
4) Now you are ready to merge the left and right images. To begin, make sure
the left eye image is still selected. Open the channels display menu by clicking
on the 'Window' menu bar and choosing 'channels.' Highlight the blue and green
channels (press the shift key to highlight both at the same time). Important:
only the blue and green channels should be shaded blue. At this stage it doesn't
matter which boxes to the left of the channels show eyeballs (eyeballs indicate
which channels are displayed). Go back to the right eye image, select the whole
thing (go to 'Select' menu bar, then press 'all') and copy it (go to 'Edit'
menu bar, then press 'copy'). Switch back to the left eye image and paste (go
to 'Edit' menu bar, then press 'paste'). Now, highlight the RGB color channel;
an eyeball should appear in all four channel boxes. At this point, you should
see a blurred red and blue picture.
An alternative to this step is to use only the blue channel instead of the
blue and green when pasting into the left eye image.
5) You are almost done. But first the left and right eye images need to be
better aligned. Start by highlighting only the red channel in the channels
display menu (it should be shaded blue). The next step is crucial because it
allows the red-tinted picture to be shifted over while the blue-tinted picture
is still visible. Go to the RGB channel and click only on the square box to
the left. An eyeball should appear in all four boxes, but only the red channel
should be shaded. Now pick a point in the center of the picture to match up;
for example, if a person is your subject, eye pupils are a good target. Zoom
in on the target by selecting the magnifying glass icon in the tool bar then
click on the target until it appears fairly large. Next, select the 'move'
tool located in the upper right corner of the tool bar. Using the up and down
arrow keys, slide the red-tinted image over until your target matches up and
no longer shows any rings of color. Zoom back out. Objects toward the outside
of your picture should still be haloed in red or blue. In other words, the
overall goal in this step is to limit the colored tints as much as possible.
To cut out excess red or blue at the far edges of your picture, crop it using
the crop tool, also located in the tool bar (once you've outlined your picture
with the tool, go to the 'Image' menu bar then press 'crop').
Your creation is ready to be viewed! Just don your paper glasses (the left
eye should be tinted red) and watch the picture jump out at you from your
monitor screen or a printed picture.
NASA's Jet Propulsion Laboratory
|